Sunday, August 30, 2009

Stitch of the Week: Herringbone

This week's Stitch of the Week is the Herringbone stitch. It proved to be a little challenging to learn but the results are very much worth it.

We begin the stitch at the left side of the canvas. Because this stitch does not leave much in the way of thread on the backside of the canvas, it is best to use an "away" knot.

The first step is a compensating stitch up and to the right over two canvas intersections (just like a tent stitch but over two intersections instead of one). The next step is to come forward with your needle in the hole that is two canvas threads to the left of where you just entered the canvas.

Now we begin the pattern. Go down and to the right over four canvas intersections. Return to the surface of the canvas two threads to the left of where you just finished (i.e., in the same row of holes, two threads to the left). Go up and to the right over four canvas intersections and enter the canvas. Return to the front side of the canvas two canvas threads to the left of where you just entered.
The pattern continues across the row, advancing either up or down and to the right across four canvas intersections only to return under two canvas threads in the same row of holes. The row is ended with a small compensating stitch up and to the right over two canvas intersections. When finished with the row, end your thread by weaving it back and forth underneath the canvas threads on the backside. Cut off your away knot, re-thread your needle and end the thread in the same way.

The second row is worked in the same fashion as the first row (complete with away knot and compensating stitches). Make sure that the top stitches cross in the same direction and that the long stitches on the second row nestle underneath the long stitches of the first row.

A variation on the herringbone stitch is to use shorter stitches (slanted stitches over two canvas intersections and return stitches under one canvas thread). This variation would be better done on Penelope canvas as stitches under one thread tend not to be very stable.

Another variation on the herringbone stitch is called Herringbone Gone Wrong. This involves proceeding from left to right and then from right to left. One row of stitches will be different from the next row and the effect is very much like woven basket.

The herringbone stitch can be tedious to work but the results are spectacular.












Saturday, August 29, 2009

Such a Week


Oh my gosh -- we've had such a week here at RNp. Lots and lots of new faces. Very exciting.

Thursday, August 27, 2009

Breaking News!


We are all very excited here at Rittenhouse Needlepoint this morning. We've made the front page of the Philadelphia Inquirer! Can you believe it? A big thanks to Melissa Dribben for the really nice article and to Bonnie Weller for the great photos.
We've already been out to breakfast to celebrate and lots of customers, family and friends have called to share our excitement.

Even Lulu is excited. She says: "I always knew I was special but newsworthy? Well, I guess so."

So, if you haven't picked up a copy of the newspaper today please do so and take a look on the lower front page and you'll find us. Or you can go to Philly.com and look at the bottom left of the front page under the heading "Living" and you'll see us (just remember -- newspapers cost money to produce so if you can buy a copy ...)

Thursday, August 20, 2009

Needlepoint Plaids


We had a great class last night if I do say so myself. It was on needlepoint plaids. What fun! It's an easy way to enhance any needlepoint project (as an article of clothing, background or border) or even as a stand-alone project (pillow, bench cover, footstool, chair seat). We learned about the difference between tartan and plaid, what a "sett" is and how to create a needlepoint plaid based on your birth date or some other date of personal significance. The plaid in the photograph is based on my birthday which is February 19 (2-19-?? You can guess the year based on the photo!) It has two rows of a color, followed by one row, then nine rows and so on. The colors were just what happened to be in the instruction basket but they worked out rather well I think.


We'll be offering the plaiding class in the future -- so look for it. We may even feature it as an instruction video to be hosted on YouTube and linked to from our Web site. More about that initiative in the future. Lots of stuff cookin' here at RNp.

Tuesday, August 18, 2009

First Internet Trunk Show -- DJ Designs

We are having our first-ever Internet trunk show right now. Just go to the Web site home page (http://www.rittenhouseneedlepoint.com/) and type in the search box "DJ Designs" (you can select "canvas" from the drop-down menu but you don't have to). The result? A list of all the DJ Design canvases that we have in house right now. Nearly all these canvases are available thanks to the trunk show that is in residence until the end of the month. So, if you see something you like, buy it now or come into the store to take a closer look. Of course we can order it for you in the future but wouldn't it be better to see it/have it now?

We are hoping to have more Internet trunk shows in the future. It's all a matter of quick processing. If we can inventory, photograph and mount these items on the Web quickly enough you will be able to see our in-house trunk shows from the comfort of your own home! Neat, huh?

Sunday, August 16, 2009

Stitch of the Week: Daisy Stitch







The Daisy Stitch is a variation on the eyelet stitch. It is rather easy to do. I used an "away knot", brought my needle to the front side and then started the stitch by going over three vertical threads to the right and down. The hole that I went into then became the center hole of the eyelet. Stitch number two takes place three canvas threads below the center hole. Stitch number three takes place three canvas threads to the right of the center hole and stitch number four takes place three canvas threads above the center hole. The result is a cross or plus sign over three canvas threads.

Part two of the Daisy stitch involves placing a cross stitch in the form of an "X" over the existing plus sign. The "X" stitch is over two canvas intersections and each leg is placed equidistant between the existing arms of the cross.

Part three of the Daisy Stitch involves filling in the remaining canvas holes. Beginning to the left of the stitch in the 12 o'clock position, you proceed around the circle in a counter-clockwise manner.
The result is a lovely stitch, one that is "as pretty as a daisy" if you will and looks remarkably flower-like when a French Knot is placed in the center hole. Suzanne Howren and Beth Robertson in their wonderful book, Stitches for Effect (item #2887) recommend using the Daisy stitch for lacy dresses (using embroidery floss), animal eyes (using a wet or shiny looking thread), flowers (using an overdyed floss) or snowflakes (using a thin Kreinik braid.

I experimented with using two different color threads below. The first involves using a pink thread for only the first portion of the stitch (the cross or plus sign) and the second involves using the pink thread for the first two portions of the stitch and the purple thread for the final bit (that is the one that I prefer).









Saturday, August 15, 2009

Book of the Week: Long and Short Stitch Embroidery


This is the last entry related to "What I did on my summer vacation." In addition to stitching, spending and listening I also did a fair bit of reading and one of the books that I read is one that I think may be of interest to "youse guys" as we say here in Philly. It is called "Long and Short Stitch Embroidery" and it is by Trish Burr. Before I go any further I just want to say that I hesitated writing about this book because I only have one in stock and I just know I am going to be hit with a tsunami of requests for it after this entry (haha). So, if you want it, better act now!! Seriously, I will be ordering more and you can always look at my copy or maybe I'll teach a class on the technique.


The technique of long and short embroidery couldn't be easier but the results are spectacular. I am telling you these embroidery people know what they are doing when it comes to shading. It's a short book and the back half is pretty much all examples and projects that I know I'll never do but still it was instructional to look at them and read the directions for how to execute.


As I said the methodology is quite easy and it is presented with good diagrams that are clear to follow. It's a quick read and I learned quite a bit so I recommend it (just don't come to my shop and try to buy it!!???)