The Stitch-of-the-Week long-armed cross was met with a decidedly lukewarm reception this week. I had chosen to introduce the group to the "giant" version of the stitch (8 threads forward, four threads back) which leaves some of the canvas exposed. I thought that this looked fine --
very lattice-y and rope-like; a look that would make a fine border. Some of the class was turned off by the exposed canvas and very much relieved when we progressed to the smaller version of the stitch (ahead four, back two). I was surprised at how different this version of the stitch looked from the larger version. No more open canvas, this smaller version was dense and braided looking. The rows alternated directions alternated directions which gave a ridged effect that I found appealing but which did not appeal to some of the class.
We also experimented with different fibers. Neon Rays gave a braided ribbon effect that I found quite appealing. Sparkle Rays was a bit less refined and showier. Kreinik Braid looked like a
mess on my piece but that was mostly because I had the wrong size fr my outsized canvas (I am always stitching with either super small or super large canvas because I tend to save the "good stuff" (i.e., 13 or 14 mesh) for students. I should re-stitch my Kreinik braid sample with #32 and see how it looks.
As for potential uses for this stitch Howren & Robertson are quite specific: "braided Santa's bag handles, reindeer reins, horse reins, dog leashes, fence posts, and twisted looking fences." I don't know how many times one might need the perfect epaulet stitch but the group concluded that this would make for a fine one. I think that the stitch would make a handsome border between stitched areas or in the larger version a border around an entire piece. I also think that it would make a fine rug or a filling-in stitch. Perhaps too it might make a fine stitch for the pages of a book which interestingly enough brings me to my next subject ...
